Show:

Youth Dance Weekend

October 2, 2026 · Hulbert Outdoors Center

  1. The Farmer’s Joy english Joseph Pimentel
  2. Astonished Archaeologist (not found)
  3. Barbarini’s Tambourine english Walsh
  4. Money Musk chestnut Traditional
  5. Sapphire Sea english Christine Robb
  6. Softly Good Tummas english Nathaniel Kynaston
  7. Leather Lake House (not found)

The Farmer’s Joy

english

Joseph Pimentel (2012)

duple minor longways

Adam Broome 6/8 A major 2004 BIII p. 56

Choreography

  • (1-8) 1st corners set forward, turn single R, two hand turn
  • (1-8) 2nd corners, the same
  • (1-2) 1s lead down the center
  • (3-4) 1s wheel around as a couple (CW, right hand person backing up)
  • (5-6) 1s cross up through 2s to original places
  • (7-8) 1s cast down while 2s move up
  • (1-4) Star R
  • (5-8) Star L

Teaching Notes

Pimentel:

This is a simple dance which works well for new dancers, and the tune is so wonderfully joyful that everyone seems to enjoy it.

B1. I like each figure to fit two bar phrases, and for all four figures to feel like one fluid movement. Though I do not often use the words “gate” and “half figure eight,” I think newer dancers begin to get the feel for those figures here without even knowing it. That is intentional.

B2. Encourage intermediate dancers to start the star L on their right foot, so the new first corners have a nice transition into the setting at the top of

Barbarini’s Tambourine

english

Walsh (1745) Interp. Jacqueline Schwab (1987)

duple minor longways

2/4 D major BI p. 8

Choreography

  • (1-8) 1st corners cast left around neighbor, cross through the middle passing corner by left shoulder, and loop right around partner to end in corner’s place (16)
  • (1st corners are swapped)
  • (1-8) 2nd corners, similarly, cast right around partner, cross through the middle passing corner by right shoulder, and loop left around partner to end in corner’s place (16)
  • (All are halfway around)
  • (1-2) All fall back with neighbor (4)
  • (3-4) Cross, passing partner by right shoulder (4)
  • (5-8) Neighbors back to back along (8)
  • (9-12) Partners back to back across (8)
  • (1-8) Four changes of rights and lefts (16)
  • (9-12) Partners two hand turn (8)

Money Musk

chestnut

or Monymusk

Traditional (1785)

triple minor longways

Daniel Dow 4/4 A major 1776 NIB · Sheet music ↗

Choreography

  • (1-4) 1s allemande R 1 ½
  • (5-6) 1s cast to 2nd place
  • (7-8) Lines of three at the side balance F&B
  • (1-8) 1s slow allemande R ¾
  • Back out into center place at the heads
  • (5-6) Lines of three across F&B
  • (7-8) 1s allemande ¾
  • (1-8) Top four full R&L thru (across and back)

Background

There is a version of the tune in Barnes. Don’t use it! It has a funky rhythm and is missing the C part.

Teaching Notes

C. Contemporarily the R&L thru is danced without hands for the pull by or courtesy turn. (Historically, this is questionable.)

Sheet Music

Sapphire Sea

english

Christine Robb (2015)

duple minor longways

Tom Kruskal’s Emily Troll & Amelia Mason 2/2 F major (orig. A major) BIII p. 121

Choreography

  • (1-4) Circle left (8)
  • (5-8) 1st corners turn by R (8)
  • (9-12) 2nd corners turn by L (8)
  • (13-16) 1s cast down and come up the middle (8)
  • while 2s lead up and cast onto the end of a line of 4
  • ending facing the R side of the hall, except the R file dancer who faces in
  • (1-8) Dolphin hey (1s as a unit pass R file dancer by right to start) (16)
  • ending in a line of four facing up
  • (9-12) Up a double, fall back (8)
  • (13-16) Gate (1s up and through the middle) (8)
  • ending progressed
  • release early to take hands with next

Softly Good Tummas

english

Nathaniel Kynaston (1718) Interp. Andrew Shaw (2002)

duple minor longways

4/4 D minor BII p. 120

Choreography

  • (1-4) Single file circle left halfway (8)
  • (5-6) Face center, walk forward to meet (4)
  • (7-8) Turn single L and clap on the last beat (4)
  • (1-4) Single file circle right halfway (8)
  • (5-6) Face center, walk forward to meet (4)
  • (7-8) Turn single R and clap on the last beat (4)
  • (1-2) Ones quick cast while twos lead up
  • (3-4) Set to partner across
  • (5-8) Two changes of rights and lefts with hands
  • End close
  • (1-2) Fall back setting (4)
  • (3-4) Cross, passing partner by right shoulder, face in (4)
  • (5-8) 1s right hand turn while moving down into 2nd place
  • while twos cast up the outside into 1st place